It's deep, sexy, interesting, and incredibly well produced. Calibre remains one of the only artists at his level and tenure who has never been remixed — but he has delivered some remarkable versions over the years. Although Jaheim may beg to differ, as Fabio explains…. When all this started, I would never have dreamt of anyone making a tune like this.
And I was a big Jaheim fan, too. With a very selective output over the course of six years, no other act has had the same influence as Kemal and Rob Data with so few releases. Looking back at the last 20 years, the track which had one of the biggest impacts on my musical preferences probably was Beckoning. And it was only the B-side with the equally massive Messiah on the A! Both are ultra-well executed pieces of music. Modern day pioneers. It came out in , before they became known as Annix, and the tone, the rhythm, the drums… just everything about it made me want to make music like this.
I was hooked. This was such a unique piece of music at the time it came out. This track completely brought me back in and still sounds incredible to this day. I could listen to this in a club, first thing in the morning, on a Sunday evening etc. It just ticks so many boxes and remains one of the best tunes of all time for me. It sounded like nothing else at the time to me and, like all great tunes, it still sounds as fresh today as it did when it was released 19 years ago. When it came out Marcus, Lee and the 31 imprint were untouchable.
The legacy of Marcus will live on forever because of tracks like this. A stone- cold classic that has influenced so many but never been surpassed.
RIP Marcus. I would kill to be able to make tracks like this. The bassline that follows the vocal movement is unique and it brings the back up a notch for sure. I don't think I've heard another track that uses something like this to transition from the vocal to the drop.
Something quite special. It's much harder to make a dancefloor hit with them. This is one of the tracks that put Noisia on the pedestal that they're on. A major milestone from Belgian superstar Netsky. Back in he was just making his entrance on Hospital Records, backed with killer remixes like this bouncy, stripped back work out from Die, Interface and Cartwright. What DJ Die, Interface and William Cartwright have done musically, was take a song that was already amazing and did something incredible - the original was flawless, and they took the ingredients and foundation and made it into an better song in my opinion.
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You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience. Necessary Necessary. But successes, collaborations with other artists, and a bunch of fans are the best confirmation that Drake has succeeded! The poor, children, schools, workers.
What can I say but thank you, and that we want other musicians to decide on such a praiseworthy move. The development of new social platforms like Tik-Tok has opened up countless opportunities for new musicians, and one of those who took the opportunity was 24kGoldn. At the moment, it is difficult to define what the golden age of hip-hop is since it is still developing, but it has been there long enough that, as in other similar directions, those who create this music are divided into new and old schools.
The current generation of rappers is generally influenced by three factors: Lil Wayne, Kanye West, and Atlanta. And the rapid success of 24kGoldn is evidenced by the fact that names like Justin Bieber and J Balvin remixed his song Mood.
His reggae-infused dubstep, as a result of the massive immigration of the Caribbean people to the UK, created a scene that quickly spilled from his home town of York in England to the rest of the world.
Up to this day, Rusko is considered one of the greats in the mainstream dubstep industry. Oh, almost forgot to mention this. Apparently, Rusko has a thing for chicken. Ask him. This is a perfect song to test your subwoofers with. You probably heard this one. Ok, check it out here. Chase and Status decided to do a remix of this song they even bought an electric guitar for this occasion and came up with one of the biggest hits in the fusion of electronic and rock music at the time.
Noisia is one of the groups that deserve a lot more recognition than it gets. In the past 20 years, they were always dancing on a thin line between mainstream and underground movement-driven music. Up to this day, you can find their work in the lower 10k while some of their hits that created 14M views. Creepy and classical choir vocals followed by a progressive bassline created a perfect symbiosis of the new and old.
Neuro-funk sound, live recorded samples, and the bass progression made in Groningen, Netherlands is something that every electronic music lover loves! Bozo Vreco is one of the best vocal artists in the world. In the last couple of years, Bozo decided to move away from acapella-only singing and started to experiment with different kinds of instrumental music. His unique style and presence are creating a one of a kind experience, and first-time listeners usually become lifelong fans.
Almost androgenic vocal abilities separate Bozo from an everyday mainstream vocal, making him an avant-garde phenomenon. Billain is one of the most prolific figures in the Neurofunk music scene. His sound engineering, which is by the way documented on his youtube channel, demonstrates a handful of skills and creative thinking.
Live recorded sounds recorded in his home studio by hitting everyday objects with a drumstick vintage massager, pots, etc. The roots of his dark and exciting sound can be traced back to his admiration for Stanley Kubrick, David Cronenberg, John Carpenter, and Katsuhiro Otomo. Joker is one of the most respected producers in the UK electronic music industry. Slow, but powerful progressions, accompanied whit the square lead synths, remind us of a video game music, but in a heavy, sometimes almost brutal package.
His music has an emphasis on frequencies and maneuvering effects that recycle and combine different styles and influences, largely maintaining a dance culture that transcends his beginnings in the production of Grime music in the early days.
The specific sub-bass makes his style recognizable. Jessie Ware, known for her performances with SBTRKT and Sampha, complements the idea that Joker has outgrown his bedroom producer status and is ready a part of the mainstream dubstep culture. The first time I heard Stwo, I knew there was only success ahead of him. Electronic music producers know best how difficult it is to create a simple yet complex sound.
Those who do not know — best to try. Listening to Stwo, it is very easy to dissect his work. But just as a good chef makes a masterpiece out of the most basic ingredients, so did Stwo create a hit whose vibes are responsible for many becoming parents. Sexy and slow sound, almost imperceptible transitions, and an incredible talent for music production did not go unnoticed.
What awaits us in the future, I do not know. But you have no idea who it might be. Ricii Lompeurs is not a well-known producer. However, his remixes often reach tens of millions of youtube views. His style is the closest to Brazilian bass music, regularly taking first places on European radio stations and club playlists.
The accompanying videos of his songs most often show footage of illegal drifting and beautiful women from the Russian streets in the late-night hours. The production trio, better known as Saber, Stray, and Halogenix, are well-known British producers who have been entertaining the masses with their atmospheric drum bass music hits for years.
Now a duo Halogenix left from north London gathered to explore the UK Bass scene has been active for years. And they probably produce the hardest sound on this list. Ivy Lab is hard to read. The only sure thing when listening to their music is that you can expect the unexpected. And when you expect the unexpected, Ivy Lab makes an effort to sneak up on you from behind again. They often spill through music genres, but the most recognizable sound comes from the glitch-hop, dubstep, and UK bass area.
Solid dance grooves and bass lines intertwine with often filtered vocals and synthesizers that have a horror vibe and contribute to the now recognizable terror sound. Dj Umek is a Slovenian DJ recognized by techno and tech-house fans of the world. He says that his early productions are not only full of mistakes, but most of them are mistakes.
Either way, all this chaos of mistakes seems to have been arranged in a way that sounds quite new and fresh. Umek is always on the look for new sounds. The lyrics of the song itself are also ahead of the time and could very easily be applied to current standards of beauty and human preoccupation with them.
Remember that the text was written long before the arrival of the selfie generation, so that Umek, in addition to being called a visionary in terms of music, can also be seen as a critic of social phenomena before they even appear. South African producer Chee is know for his unique, hybrid, and experimental sound. This does not mean that his sound is worse or of lower quality. On the contrary, using fewer sounds, Chee has managed to find a formula that makes his songs sound out of this world.
Given the praise he has received in recent years, many seem willing to invest in him Deadmau5 and follow his work. With the progression of a heavy beat and even heavier growl-synths, he unleashes an off-beat funky sounding bass masterpiece that we love to hear. Through years of experimenting in production, Chase and Status have gone through all possible subgenres. The proof is this cooperation with Irah, through which they managed to show that not even the elements of the jungle are foreign to them.
Their tracks full of drums, explosive bass, and relentless rhythm are often complemented by collaborations with vocalists. And that role seems to be something that the guys from Chase and Status like and enjoy. Either way, we are certainly looking forward to such collaborations that remind us that there is still a jungle rhythm alive somewhere. His production is recognizable. Drums passed through a whole bunch of the filters reveal an obsession with the sound of a needle dancing on a gramophone record.
His basslines are heavy, but at the same time gloomy and mysterious, thus creating an almost rainy atmosphere.
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